Fonte: Cuadernos de Turismo; No. 54 (2024): Julio - Diciembre; 129-144
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Resumo: The text considers collective memories as structures (re)constructed by individuals and communities, which, in turn, serve as a structuring narrative. It then explores some of the implications of incorporating these memories into the tourism market through projected images, specific products, or simple settings, and provides a theoretical model aimed at generating strategies to minimize the impacts of these commercialization processes on symbolic constructions of the collective past.
